One of Sierra Leone’s greatest writers and playwrights, Professor Yulisa Amadu Pat Maddy (photo), popularly known as Pat Maddy has passed away in Freetown, today Sunday March 16th.
The news was announced on Facebook by Cillaty Dabo, a well-known Sierra Leonean community leader and Social Worker in Atlanta, USA. The late Professor Maddy had studied, lived and worked in several countries including France, UK, Nigeria, Zambia and the United States. He returned home not too long ago to teach at Freetown’s Milton Margai College of Education.
Here is an entry on Wikipedia about Pat Maddy:
Yulisa Pat Amadu Maddy, formerly known as Pat Maddy (born 27 December 1936, Freetown), is a Sierra Leonean writer, poet, actor, dancer, director and playwright. He has had an “immense impact” on theatre in Sierra Leone, Nigeria and Zambia.
Maddy was born in Freetown, Sierra Leone, where he grew up and was educated (attending St Edward’s Secondary School) until the age of 22. In 1958 he travelled to France and then Britain. Maddy trained at the Rose Bruford College of Speech and Drama in the UK, and started broadcasting in Britain and Denmark, writing and producing radio plays. He was Director of Drama at the Keskidee Centre in London. Maddy’s early plays, initially produced on the BBC African Service, were published as Obasai and Other Plays (1968). In the mid-1960s he lived in Denmark, where a book of his poetry, Ny afrikansk prosa, was published (1969).
On his return to Sierra Leone in 1968 he became head of drama on Radio Sierra Leone. He is founder-director of the theatre company Gbakanda Afrikan Tiata, founded 1969 in Freetown. He subsequently worked in Zambia, where he directed the national dance troupe and trained them for the Montreal World’s Fair in 1970. He has also taught drama in Nigeria, at the University of Ibadan and the University of Ilorin, and in the United States.
His first novel, No Past, No Present, No Future, explored the dynamics of a group of three friends, (including, controversially, at the time, one gay man), growing up in colonial West Africa and their physical, psychological and emotional journeys to Europe. It was published in 1973, to great acclaim in the Heinemann African Writers Series. His writing, which is often challenging and confrontational, has been broadcast by the BBC and published internationally. However the uncompromising honesty of his writing, particularly in his views on the social and political inequalities in Africa, led to his political imprisonment in Sierra Leone. Upon his release, he was forced to leave the country and become a political exile.
Recently Yulisa Amadu Pat Maddy has been able to return to Sierra Leone to continue his academic research of exploring and developing Sierra Leone’s cultural heritage; providing inspiration and opportunities to a new generation of artists and performers; and continuing to give a “voice to the voiceless” through the work of his Gbakanda Foundation.
He received a Sierra Leone National Arts Festival Award in 1973, a Gulbenkian Grant from the Calouste Gulbenkian Foundation in 1978, and in 1979 an Edinburgh Festival Award. He has also received the distinction of being commemorated in a special stained-glass window of the Pride Library in Canada, as one of 135 writers, including William Shakespeare, Federico Garcia Lorca, W. H. Auden and others who have been acknowledged for their outstanding contribution to literature.
Alla Gbah [The Big Man], 1967
Yon Kon [Clever Thief], 1968. Reprinted in Cosmo Pieterse, ed., Ten One-Act Plays, Heinemann, 1968. African Writers Series 34.
Obasai [Over Yonder], 1971. Reprinted in Obasai and Other Plays, Heinemann, 1968. African Writers Series 89.
Gbana Bendu [Tough Guy], 1971
Life Everlasting, 1972. Reprinted in Cosmo Pieterse, ed., Short African Plays, Heinemann, 1972. African Writers Series 78.
No Past, No Present, No Future (novel), London: Heinemann Educational, 1973. African Writers Series 137.
If Wishes Were Horses (radio play), 1973
Big Breeze Blow, produced Freetown, 1974
Take Tem Draw Di Rope, Freetown, 1975
Na We Yone Dehn See, 1975
Put for Me, produced Freetown, 1975
Big Berrin (Big Funeral), Freetown, 1976
Saturday Night out (television play), 1980
A Journey Into Christmas, 1980
Drums, Voices and Words, 1985 (with Donnarae MacCann) African Images in Juvenile Literature: commentaries on neocolonialist fiction, Jefferson, N.C.: McFarland, 1996 (with Donnarae MacCann) Neo-imperialism in Children’s Literature about Africa: a study of contemporary fiction, New York: Routledge, 2009.